The Autochrome LumiƩre was introduced in 1907 and was the primary process used to make color photographs until the introduction of color film in the 1930s. A glass plate was coated with a random mosaic of grains of potato starch died red, green, and violet. Lampblack filled the spaces between the grains. A panchromatic silver halide emulsion is added. After exposing in the camera the plate is developed then reversed as a positive. The starch grains act first as filters for the colors striking the plate and then as a viewing filters in the finished image. For example light from a green leaf will pass through the green particle and expose the emulsion under it but would not pass through the red or violet particles. On viewing by transmitted light the green color would show wherever green light hit the plate.
Tuesday, March 6, 2012
Monday, March 5, 2012
Abilene Paradox
On a hot afternoon in Coleman, Texas, the family is comfortably playing dominoes on a porch, until the father-in-law suggests that they take a trip to Abilene (53 miles north) for dinner. The wife says, "Sounds like a great idea." The husband, despite having reservations because the drive is long and hot, thinks that his preferences must be out-of-step with the group and says, "Sounds good to me. I hope your mother wants to go." The mother-in-law then says, "Of course I want to go. I haven't been to Abilene in a long time."
The drive is hot and dusty and long. When they arrive at the cafeteria, the food is as bad as the drive. They arrive back home four hours later, exhausted.
One of them dishonestly says, "It was a great trip wasn't it?" The mother-in-law says that, actually, she would rather have stayed home, but went along since the other three were so enthusiastic. The husband says, "I wasn't delighted to be doing what we were doing. I only went to satisfy the rest of you." The wife says, "I just went along to keep you happy. I would have had to be crazy to want to go out in the heat like that." The father-in-law then admits that he only suggested it because he thought the other might be bored.
The group sits back, perplexed that they together decided to take a trip which none of them wanted. They each would have preferred to sit comfortably, but did not admit it when they still had time to enjoy the afternoon.
Thursday, March 1, 2012
Cortelia Clark and "Cortelia Clark"
" In Nashville where I've lived for about the last ten years, up until about four years ago there was an old man there I used to go in and listen to all the time. He sold paper bags down on Connor Street. He was a blind man and he played guitar and he was really a great old guy. He won a Grammy, believe it or not. A few years ago RCA Victor went out on the street with a tape recorder and taped him while he was out there, and submitted the recording to the section that deals with authentic folk songs, and he got the Grammy that year for it. Didn't mean that much to him as far as his pocket looked. As a matter of fact, it really didn't mean much to him at all, he didn't even know what it was. Cortelia couldn't see it anyway. I was in San Francisco playing at The Boarding House one week. I got back home, picked up all of newspapers and went inside, started reading through them. Found out he had burned to death in his trailer while I was gone. I don't know how much it will mean ever to him, but this is a song I wrote about him." - Mickey Newbury
Tuesday, February 28, 2012
Monday, February 27, 2012
Friday, February 17, 2012
John Betjeman Poem
A Sub-Altern's Love Song
Miss J. Hunter Dunn, Miss J. Hunter Dunn,
Furnish'd and burnish'd by Aldershot sun,
What strenuous singles we played after tea,
We in the tournament - you against me!
Love-thirty, love-forty, oh! weakness of joy,
The speed of a swallow, the grace of a boy,
With carefullest carelessness, gaily you won,
I am weak from your loveliness, Joan Hunter Dunn.
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
How mad I am, sad I am, glad that you won,
The warm-handled racket is back in its press,
But my shock-headed victor, she loves me no less.
Her father's euonymus shines as we walk,
And swing past the summer-house, buried in talk,
And cool the verandah that welcomes us in
To the six-o'clock news and a lime-juice and gin.
The scent of the conifers, sound of the bath,
The view from my bedroom of moss-dappled path,
As I struggle with double-end evening tie,
For we dance at the Golf Club, my victor and I.
On the floor of her bedroom lie blazer and shorts,
And the cream-coloured walls are be-trophied with sports,
And westering, questioning settles the sun,
On your low-leaded window, Miss Joan Hunter Dunn.
The Hillman is waiting, the light's in the hall,
The pictures of Egypt are bright on the wall,
My sweet, I am standing beside the oak stair
And there on the landing's the light on your hair.
By roads "not adopted", by woodlanded ways,
She drove to the club in the late summer haze,
Into nine-o'clock Camberley, heavy with bells
And mushroomy, pine-woody, evergreen smells.
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
I can hear from the car park the dance has begun,
Oh! Surrey twilight! importunate band!
Oh! strongly adorable tennis-girl's hand!
Around us are Rovers and Austins afar,
Above us the intimate roof of the car,
And here on my right is the girl of my choice,
With the tilt of her nose and the chime of her voice.
And the scent of her wrap, and the words never said,
And the ominous, ominous dancing ahead.
We sat in the car park till twenty to one
And now I'm engaged to Miss Joan Hunter Dunn.
Miss J. Hunter Dunn, Miss J. Hunter Dunn,
Furnish'd and burnish'd by Aldershot sun,
What strenuous singles we played after tea,
We in the tournament - you against me!
Love-thirty, love-forty, oh! weakness of joy,
The speed of a swallow, the grace of a boy,
With carefullest carelessness, gaily you won,
I am weak from your loveliness, Joan Hunter Dunn.
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
How mad I am, sad I am, glad that you won,
The warm-handled racket is back in its press,
But my shock-headed victor, she loves me no less.
Her father's euonymus shines as we walk,
And swing past the summer-house, buried in talk,
And cool the verandah that welcomes us in
To the six-o'clock news and a lime-juice and gin.
The scent of the conifers, sound of the bath,
The view from my bedroom of moss-dappled path,
As I struggle with double-end evening tie,
For we dance at the Golf Club, my victor and I.
On the floor of her bedroom lie blazer and shorts,
And the cream-coloured walls are be-trophied with sports,
And westering, questioning settles the sun,
On your low-leaded window, Miss Joan Hunter Dunn.
The Hillman is waiting, the light's in the hall,
The pictures of Egypt are bright on the wall,
My sweet, I am standing beside the oak stair
And there on the landing's the light on your hair.
By roads "not adopted", by woodlanded ways,
She drove to the club in the late summer haze,
Into nine-o'clock Camberley, heavy with bells
And mushroomy, pine-woody, evergreen smells.
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
I can hear from the car park the dance has begun,
Oh! Surrey twilight! importunate band!
Oh! strongly adorable tennis-girl's hand!
Around us are Rovers and Austins afar,
Above us the intimate roof of the car,
And here on my right is the girl of my choice,
With the tilt of her nose and the chime of her voice.
And the scent of her wrap, and the words never said,
And the ominous, ominous dancing ahead.
We sat in the car park till twenty to one
And now I'm engaged to Miss Joan Hunter Dunn.
Monday, February 13, 2012
Thursday, February 9, 2012
Glyn Maxwell Poem
The man who sold Manhattan for a halfway decent bangle,
He had talks with Adolf Hitler and could see it from his angle.
And he heard the Silver Beatles but he didn't think they'd make it
And he bought a cake on Pudding Lane and thought 'well, I'll bake it'
But his chances they were slim
And his brothers, they were Grimm
And he's sorry, very sorry
But I'm sorrier than him.
And the drunken plastic surgeon who said 'I know! Let's enlarge 'em!'
And the bloke who told the Light Brigade 'Oh what the hell, let's charge 'em!'
The magician with an early evening gig on the Titanic,
And the Mayor who told the people of Atlantis not to panic.
And the Dong about his nose,
And the Pobble re. his toes,
They're all sorry, very sorry,
But I'm sorrier than those.
And don't forget the bible with the Sodomites and Judas
And Onan who discovered something nothing was as rude as
And anyone who reckoned it was City's year for Wembley
And the kid who called Napoleon a shortarse in assembly.
And the man who always smiles,
'Cause he knows I have his files,
They'e all sorry, truly sorry.
But I'm sorrier by miles.
And Robert Falcon Scott who lost the race to a Norwegian
And anyone who's ever spilt the pint of a Glaswegian,
Or told a Finn a joke, or spent an hour with a Swiss-German,
Or got a mermaid in the sack and found it was a merman,
Or he who smelt a rat,
Got as curious as a cat,
They're all sorry, deeply sorry,
But I'm sorrier than that.
All the people who were rubbish when we needed them to do it,
Whose wires crossed, whose spirit failed, who ballsed it up, or simply blew it,
All the notchers of null points and all who have a problem, Houston,
At least they weren't in Kensington when they should have been in Euston,
For I didn't build the Wall,
And I didn't cause he Fall,
But I'm sorry, Lord I'm sorry,
I'm the sorriest of all.
He had talks with Adolf Hitler and could see it from his angle.
And he heard the Silver Beatles but he didn't think they'd make it
And he bought a cake on Pudding Lane and thought 'well, I'll bake it'
But his chances they were slim
And his brothers, they were Grimm
And he's sorry, very sorry
But I'm sorrier than him.
And the drunken plastic surgeon who said 'I know! Let's enlarge 'em!'
And the bloke who told the Light Brigade 'Oh what the hell, let's charge 'em!'
The magician with an early evening gig on the Titanic,
And the Mayor who told the people of Atlantis not to panic.
And the Dong about his nose,
And the Pobble re. his toes,
They're all sorry, very sorry,
But I'm sorrier than those.
And don't forget the bible with the Sodomites and Judas
And Onan who discovered something nothing was as rude as
And anyone who reckoned it was City's year for Wembley
And the kid who called Napoleon a shortarse in assembly.
And the man who always smiles,
'Cause he knows I have his files,
They'e all sorry, truly sorry.
But I'm sorrier by miles.
And Robert Falcon Scott who lost the race to a Norwegian
And anyone who's ever spilt the pint of a Glaswegian,
Or told a Finn a joke, or spent an hour with a Swiss-German,
Or got a mermaid in the sack and found it was a merman,
Or he who smelt a rat,
Got as curious as a cat,
They're all sorry, deeply sorry,
But I'm sorrier than that.
All the people who were rubbish when we needed them to do it,
Whose wires crossed, whose spirit failed, who ballsed it up, or simply blew it,
All the notchers of null points and all who have a problem, Houston,
At least they weren't in Kensington when they should have been in Euston,
For I didn't build the Wall,
And I didn't cause he Fall,
But I'm sorry, Lord I'm sorry,
I'm the sorriest of all.
Wednesday, February 8, 2012
Tuesday, February 7, 2012
Transylvania Blues
In the year leading up to her death, Betty Gail made regular entries into her diary —often in shorthand, which made them difficult for investigators to decipher.
The first entry Betty Gail wrote while a student at Transylvania University was by far the most in-depth and intimate of those included in the police file.
The Oct. 1, 1960 entry was found by investigators on the pages of an old notebook. The page-long entry details an encounter with a fellow Transylvania student, Richard Berman.
“My 1st college entry,” Betty Gail wrote. “Rick Berman came over to me at the dance tonight. We talked and joked like always, but I knew something was wrong.”
Berman said he wanted to have a serious talk.
“He told me that he thought too much of me, and respected me too much to try to take advantage of me,” she wrote.
The diary entry does not explain what happened between the two students to warrant the talk, but Betty Gail’s words make it out to be something serious.
“He said that he laid awake last night thinking and he had to tell me, though he would not have told any other girl,” she wrote.
Betty Gail was speechless at Berman’s words, “and that is something,” she wrote.
“It will be hard now for me to date other boys,” she continued. “They probably won’t even ask me for a date because of Rick.”
Why she thought that was not explained in the diary entry.
Berman, now a high-powered, well-known figure in Washington D.C. and president of public affairs firm Berman and Company, declined to be interviewed for this story. His spokeswoman did relay in an email that, “he remembers Betty as a very nice girl, but that it was such a long time ago that he remembers very little more than that.”
Thursday, February 2, 2012
G.K. Chesterton Poem
The gallows in my garden, people say,
Is new and neat and adequately tall.
I tie the noose on in a knowing way
As one that knots his necktie for a ball;
But just as all the neighbors--on the wall--
Are drawing a long breath to shout 'Hurray!'
The strangest whim has seized me...After all
I think I will not hang myself today.
Tomorrow is the time I get my pay--
My uncle's sword is hanging in the hall--
I see a little cloud all pink and grey--
Perhaps the rector's mother will not call--
I fancy that I heard from Mr Gall
that mushrooms could be cooked another way--
I've never read the works of Juvenal--
I think I will not hang myself today.
The world will have another washing day;
The decadents decay; the pedants pall;
And H.G. Wells has found that children play,
And Bernard Shaw discovered that they squall;
Rationalists are growing rational--
And through thick woods one finds a stream astray,
So secret that the very sky seems small--
I think I will not hang myself today.
Envoi
Prince, I can hear the trumpet of Germinal,
The tumbrils toiling up the terrible way;
Even today your royal head may fall--
I think I will not hang myself today.
Tuesday, January 31, 2012
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